Damian Erskine is a bass player well known for his ability to fit into almost any musical situation, extraordinary reading skills and his ability to improvise; he is an educator and a columnist as well. We interviewed him.
Before I was even really ‘into’ jazz per-se, I recognized that the study of jazz harmony on my instrument was the most direct path towards understanding harmony, how it functioned and how it related to my instrument. In essence, I saw it as the clearest road to realizing freedom of expression on my instrument. Through the study of materials, I became of the myriad of styles inherent to ‘jazz’ and truly fell in love with both listening and playing the music in earnest.
What is jazz today, in your opinion?
Personally, I think jazz is in a wonderful place in time. Information has become global and the new generation of players have influences shining through from all corners of the globe. To me, jazz is the free-est form of musical expression because its true intent is indeed to express yourself honestly and ‘in the moment’… acknowledging what is happening in the now and playing and reacting to that specifically. I’ve never been a purest and I love the merging of jazz with other cultural influences. Additionally, there are some truly stunning traditional jazz musicians coming up today as well, so I feel like the music is very well reflected on the global stage, in all of its forms.
How do you choose the repertoire and the musicians to play with?
I’m generally a working freelance musician, so much of the time, I’m just going where the gigs are but, when I have my druthers… I primarily focus on the musicians that I want to play with and let the music take us from there. The more the repertoire reflects the collective voice of the individuals on stage, the better the likely-hood that the whole will be greater than the sum of its parts, so to speak. In other words, when the repertoire is really speaking on an organic level to the identities of the musicians on stage, it has a real chance of taking on a truer sound of its own. Long-story-short? I try to pick or write the music that will resonate with the musicians that will be playing it… and I always try to operate from a musically honest place.
Jazz Portrait: an espresso with Damian Erskine copyright Jazzespresso 2020.
Reservados todos los derechos – All rights reserved – 版權所有 – 版权所有
Jazzespresso es una revista, un sitio web, una red, un centro, que conecta todas las almas del jazz de todo el mundo. América, Europa, Asia, Australia y África: noticias de todo el mundo en una página en cuatro idiomas. Un punto de referencia multicultural en inglés, chino y castellano para los amantes de esta música en todos los países. Para el aficionado o el profesional que quiere mantenerse informado sobre lo que está ocurriendo en todo el mundo. Manténganse informados!
Jazzespresso is a magazine, a website, a network, a hub, connecting all the souls of jazz all over the world. Americas, Europe, Asia, Australia and Africa: news from all over the world on a page in four languages. A multicultural reference point in English, Chinese and Spanish language for the lovers of this music in every country. For the amateur or the pro who wants to be updated about what is happening all around the world... Stay tuned.
Jazzespresso è una rivista, un sito web, una rete che connette le anime del jazz di tutto il mondo. America, Europa, Asia, Australia e Africa: notizie da tutto l'orbe terracqueo in una pagina tradotta in cinque lingue. Un punto di riferimento multiculturale in inglese, cinese, spagnolo e italiano per gli amanti di questa musica in tutti i paesi del mondo. Per gli amatori o i professionisti che vogliono essere aggiornati su quello che sta succedendo in tutto il pianeta... rimani sintonizzato!
The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.